Blue began as an inquiry into immidiate shelter—temporary, fragile, and imagined. Constructed from semi-transparent papers salvaged from studios, package leftovers materials once meant for sketches were transformed into walls that fold and flex. The project preserves the essence of drawing—unfinished and conceptual—while existing as a physical, navigable space.

The structure unfolds like a sketch in motion. With varying shapes, lengths, and entrances, it resists definition, encouraging exploration and play. Its layered, paper-thin surfaces stretch and collapse as bodies move through it, dissolving boundaries between form and movement. The structure shapes the body, and the body shapes the structure, making motion a tool for discovery.

Light filters through its translucent walls, casting shifting patterns that echo the fluidity of the design. The fragility of the materials heightens the sense of impermanence, suggesting a shelter that exists in transition—a space not built to last but to be experienced.

Inspired by choreographic methods, a workshop by Amir Amiri with studies on William Forsythe techniques, Blue draws on movement as a means of construction and deconstruction. It invites participants to become part of the architecture, moving through it as though sketching lines with their bodies.

Blue questions what it means to inhabit space. It reflects on materiality, transformation, and the tension between stability and collapse. It exists in a state of becoming—part drawing, part structure, and part performance.

This Project along with Yellow and White, reflects on how our connections and relationships shape the future. It considers the role of thought patterns in constructing environments and imagines a future where safe spaces are dynamic rather than static. They highlight the paradox of isolation as a means to feel—both individually and collectively—examining how boundaries enable deeper connections and awareness.

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